Andy Warhol and “Decorative Art”

Andy Warhol played many roles in the art world of the sixties. Although he produced more films than paintings and sculptures, he re-defined “painting” and “sculpture,” bringing these traditional practices into the modern age. Using serigraphy as a metaphor for commercialism and consumerism, Warhol brought his advertising sensibilities to fine arts. Wooden boxes with purloined logos suggested that the art world was a market place for the high-end consumer. Casting aside hierarchy and judgment, the artist consumed the ubiquitous imagery of his time and put together an encyclopedia for his decade. Acting like a bricoleur, he gathered the pictures of mass media and re-produced and re-presented the already known and the already seen and forced the viewers to examine the overlooked and the banal of the culture.

If you have found this material useful, please give credit to Dr. Jeanne S. M. Willette and Art History Unstuffed.
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