THE MODERNISM OF MODERNIST PAINTING, 1960/1 Clement Greenberg’s “Modernist Painting,” originally given as a radio broadcast in 1961 for the Voice of America’s “Forum Lectures,” was printed in 1961 in the Arts Yearbook 4 of the same year, reprinted in 1965, ’66,...
CUBISM AND ITS CONTEXT Perhaps more than any other major art movement of the first half of the Twentieth Century, Cubism is both transitional and Janus-faced in its response to the decades of changes of the Nineteenth Century. On one hand, the Cubist artists shared...
Advanced Guard before the Avant-Garde There is some historical disagreement over when and where the avant-garde movement in the visual arts began. But it is clear that that the notion that changes in art come from the margins not the center came into existence and...
WHISTLER AND THE PEACOCK ROOM Part Two The term “artistic freedom” may seem like a given but for nearly a century after Kant established the principal, “freedom” was rarely practiced. But Whistler took the concept seriously and set out to test...
ÉDOUARD MANET Part Two The painter of Parisian modernité, Édouard Manet, abandoned his early strategy of commenting on past masterpieces but continued his quest to update and modernize traditional genres in Salon painting. A transitional painter, Manet pointed to way...