Georgia O’Keeffe, Part One The career of Georgia O’Keeffe was a paradox: on one hand, she was dependent upon the patronage of her husband, photographer and art dealer, Alfred Stieglitz; on the other hand, she always had an independent vision. The podcast,...
ART AND FEMINISM According to Lee Krasner, the art world in New York in the late 1930s was an egalitarian place. Discrimination arrived in the persons of the French Surrealists, renowned misogynists, who considered women to be children or muses. In the 1940s, the few...