Welcome to Art History Unstuffed

On line. At your convenience. In your own time. On your own terms.

Soundbytes in Modern Art

Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title Art History Unstuffed: The Podcasts.

Art History Timeline Videos

This twenty-seven episode series of five minute videos span Western art history, from the Caves to Romanticism. Produced for and with the assistance of Otis College of Art and Design, these can be used by students and teachers as introductory, supplementary or review material. Each video is written,narrated and produced by Dr. Jeanne S. M. Willette, reinforced with written text and richly illustrated with many images.

“ Art is not what you see, but what you make others see”

-Edgar Degas

The Writing of Cubism:

The Construction of a Discourse, 1910-1914

The Writing of Cubism posits that when the art critical writings on Cubism are re-read within their original intellectual and political context, it becomes clear that the historical coincidence of the conception of Cubism on the eve of the Great War had an impact upon the verbal configuration of this new movement that was equal to, if not outweighing, the stylistic innovations and artistic experiments of the artists.

New Artwriting:

Creating a Culture of Cyber Criticism

This book examines the possibilities of theorizing the Web, takes up current debates on digital discourse, and presents the work of the leading scholars of the Internet working in the current field of content production in Cyberspace.

Falling Through Postmodernism

Volume One: Blindness (Volume 1)

After Postmodernism, it is now time to return to an abandoned territory in search of our own blindness. What did we not see during the age of theorizing, to what were we blind? In three substantial case studies this volume, the first of three books on Postmodernism, the author closely examines some of the remains of a lost era.

Art History Unstuffed

On line. At your convenience. In your own time. On your own terms.

For too long art history has been held hostage by scholars speaking to scholars and not to people. The purpose of this site is to educate and to inform and to do so with respect to the intelligence of the readers. Designed as a site for serious students of art history in need of solid substantive material, Art History Unstuffed is written for Twenty-First-century learners who prefer reading “text-bytes” and “sound-bytes” of targeted information.

Written by Dr. Jeanne S. M. Willette, a published scholar who has researched and consolidated both well-respected classical sources and vetted the latest research, this site creates a middle ground between arcane scholarly jargon and informed discourse and presents a detailed account of Modern, Postmodern, Philosophy and Theory that is accessible to all readers interested in the history of the modern and contemporary periods.

Enjoy and Learn

This site is responsive to computers, cell phones and tablets and will resize for your reading convenience.

Art History Unstuffed is listed on the ACI Scholarly Blog Index.

Recent Posts

Current chapters of the topic of the season, part of an ongoing research project.

The End of the Russian Avant-Garde

Gustav Klutsis (1895-1938) The Last of the Avant-Garde Alexander Rodchenko and Varvara Stepanova were lucky to live out their lives peacefully. In the brutal period of Stalin’s Russia, artists were suppressed. Starting in the late 1920s, the mood of the government...

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About the Author

Art historian and art critic, Dr. Jeanne S. M. Willette lives and works in Los Angeles. An art historian at Otis College of Art and Design, the widely published author covers the local art scene and is the publisher of the website Art History Unstuffed.

With an international audience, this website and its accompanying podcasts provide the 21st version of learning about art, history, philosophy, and theory.

How To Use This Site

Welcome to Art History Unstuffed, and to education in the twenty-first century

For Students

In contrast to the traditional text books, Art History Unstuffed exists on online where there is infinite space. The site can therefore go into depth and provides a fuller discussion of topics in art and theory.

For Teachers

Designed as an addition to classroom instruction, Art History Unstuffed is not a course but an extension of topics found in a survey art history class.

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For Artists

Professional artist and students in studio art courses can find fast, easy access to information about famous historical artists.

For Museums

Art History Unstuffed can be a valuable resource in presenting information on modern and contemporary art for docent programs, which concentrate on training the teachers on the collections in your museum.

Podcast

Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title: Art History Unstuffed: The Podcasts. Each episode discusses a single topic at greater length than the written posts, which are about 2500 words each. Each podcast ranges from 15 to 20 minutes and is part of a series that treats an artist or a topic over an hour of listening. The episodes are, therefore, discussions at a higher level and are geared more to graduate students and to colleagues than to the beginning student.

Episode 16: Romanticism in England, Part One

THE WRITING OF ENGLISH ROMANTICISM
Part One

Like Neo-Classicism, Romanticism was an international movement, but, unlike the earlier movement, Romanticism differed from country to country. In England, Romanticism established an aesthetic that was reflective of national conditions. The British Romantic artists were closely aligned to the Romantic poets and a new group of philosophers and art writers emerged to explain this new national form of English Romanticism. The English landscape was shaped by economic forces far earlier than the environments of other nations. Due to the Industrial Revolution, England was on the road to modernity by the middle of the eighteenth century. But contemporaneous with the rise of factories was the Enclosure Movement, a “closing of the commons,” which displaced landless peasants into industrial jobs. English Romanticism is woven within the new English feeling for “nature” in the face of coming industrialization and modern agriculture.

Also listen to “Romanticism in England, Part Two” and “English Romanticism and Turner” and “Romanticism and Constable”

Episode 15: French Romanticism – Delacroix, Part Two

DELACROIX THE CONSERVATIVE
Part Two

The art of Eugène Delacroix was uniquely suited to his time. In an era of imperialism and colonialism through conquest, his exciting art captured the violence of a turbulent age. Like all artists of the Romantic era, Delacroix was fascinated by the mystery of the Middle East. Although much of the art of his later career was government sponsored, Delacroix also acted as a reporter and visited the French possession of Algeria and captured, first hand, the allure of the Other. After an early career being cast (0r mis-cast) as a Romantic rebel, Delacroix spent the rest of his life doing official commissions – such as murals for the French government.

Also listen to: “The French Romantics: Gros and Girodet, Part One” and “The French Romantics: Gros and Girodet, Part Two” and “French Romanticism, Ingres, Part One,” and “French Romanticism, Ingres, Part Two” and “French Romanticism, Delacroix, Part One”

Also read: “French Romanticism: The Historical Context” and “The French Academy: Painting”  and “French Romanticism: Subject Matter and the Artist” and “French Romanticism and the Avant-Garde”

Episode 14: French Romanticism – Delacroix, Part One

DELACROIX THE ROMANTIC
Part One

A member of the famous Bohemian crowd of French avant-garde art, Delacroix was considered the rebellious leader of French Romanticism. Like all artists of his generation, he had missed out on Napoléonic glory but found excitement in the clash of civilizations between the Europeans and the Muslims with the war between the Turks and the rebellious Greeks. The paintings of Delacroix followed the struggle for democracy among the Greeks abroad and the lower classes at home. The painting of Liberty Leading the People was so stirring that it was decades before it was permitted by the French state to be displayed in a public museum. However, Delacroix was a conservative, who feared revolution and preferred peace and quiet in order to make art. His greatest battles were fought in the Salon with his supreme rival, Ingres.

Also listen to: “The French Romantics: Gros and Girodet, Part One” and “The French Romantics: Gros and Girodet, Part Two” and “French Romanticism, Ingres, Part One,” and “French Romanticism, Ingres, Part Two” and “French Romanticism, Delacroix, Part Two”

Also read: “French Romanticism: The Historical Context” and “The French Academy: Painting”  and “French Romanticism: Subject Matter and the Artist” and “French Romanticism and the Avant-Garde”

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Videos

The complete Art History Timeline – this twenty-seven episode series of five minute videos span Western art history, from the Caves to Romanticism. Produced with the assistance of Otis College of Art and Design, these can be used by students and teachers as introductory, supplementary or review material.

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Shop

Show off your smarts. Art history unstuffed merchandise makes great gifts for you and your colleagues.

The Writing of Cubism:
The Construction of a Discourse, 1910-1914

$20.00

New Artwriting:
Creating a Culture of Cyber Criticism

$10.00

Falling Through Postmodernism.
Volume One: Blindness (Volume 1)

$30.00

Forthcoming Books

To continue to the circulation of her contributions to Heathwood Press, Dr. Willette has assembled the articles, published and not yet published, into a new book on the avant-garde. This new book will include other articles available on Academia.edu and Heathwood Press. This most recent series on the historic avant-garde was being written in response to the centennial of the Great War. After a remarkable span of five decades, the avant-garde was ended by this war in Europe. The war exiled and killed the artists, ended art movements, and scattered avant-garde art, now left to the mercies of totalitarian regimes. Now that a century has passed it is time to re-examine the avant-garde and re-write its details, reexamine the art historical assumptions, which constructed the idea of provocative art. This forthcoming book also seeks to relocate forgotten art, left behind in the rush towards the future.

Dr. Willette is currently completing an entirely new kind of book on design, a book that is multi-modal. Offering multiple modes of output, this book offers the readers several ways of receiving information, slide shows, podcasts, texts and images. The interactive book, Design and the Avant-Garde, 1920-1940, will be divided into several volumes. Volume One will focus on the interconnections between art and design at the fine-de-siècle period, leading up to the creation of “modern” design.

“Painting is self-discovery. Every good artist paints what he is.”

— Jackson Pollock

If you have found this material useful, please give credit to Dr. Jeanne S. M. Willette and Art History Unstuffed.
Thank you.

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