“ Art is not what you see, but what you make others see”
The Writing of Cubism posits that when the art critical writings on Cubism are re-read within their original intellectual and political context, it becomes clear that the historical coincidence of the conception of Cubism on the eve of the Great War had an impact upon the verbal configuration of this new movement that was equal to, if not outweighing, the stylistic innovations and artistic experiments of the artists.
This book examines the possibilities of theorizing the Web, takes up current debates on digital discourse, and presents the work of the leading scholars of the Internet working in the current field of content production in Cyberspace.
After Postmodernism, it is now time to return to an abandoned territory in search of our own blindness. What did we not see during the age of theorizing, to what were we blind? In three substantial case studies this volume, the first of three books on Postmodernism, the author closely examines some of the remains of a lost era.
Dr. Jeanne S. M. Willette – 3/12/19
Dr. Jeanne Willette unfortunately passed away in early 2019. She supported thousands of students in their exploration of art history during her career and was a valued colleague. This site, Art History Unstuffed, was one of her major contributions to those studying this field. Without Dr. Willette this site is not being updated with new content. While her web master, with support from her two sons, continues to maintain the site for the time being, a new generation of Art Historians is needed to carry the site into the future. If you are interested in participating or have other suggestions for this site, please click here to leave a note.
Georgia O’Keeffe, Part Two
Refusing to be trapped by demeaning art writing that discussed her flower paintings as inherently female, Georgia O’Keeffe defied gender expectations by taking up that most masculine of subjects—the new towering skyscrapers. This podcast discusses the practicalities of actually building and living with the skyscraper and the challenges faced by O’Keeffe in depicting this new subject matter. The skyscraper became the gateway to the artist’s getaway out of New York and into the West.
Georgia O’Keeffe, Part One
The career of Georgia O’Keeffe was a paradox: on one hand, she was dependent upon the patronage of her husband, photographer and art dealer, Alfred Stieglitz; on the other hand, she always had an independent vision. The podcast, the first of four parts, focuses on her first mature phase: the flowers and how she broke away from gendered art writing.
Norman Rockwell, Part Three
Contrary to what many Americans assumed, Norman Rockwell was a very modern and forward thinking artist. Far from being old-fashioned, the artist moved with the times and was able to follow the nation from the sleepy fifties to the turbulent sixties. This podcast, the last of the series, reveals the surprising Last Act of the career of Norman Rockwell.