Art History Unstuffed
On line. At your convenience. In your own time. On your own terms.
For too long art history has been held hostage by scholars speaking to scholars and not to people. The purpose of this site is to educate and to inform and to do so with respect to the intelligence of the readers. Designed as a site for serious students of art history in need of solid substantive material, Art History Unstuffed is written for Twenty-First-century learners who prefer reading “text-bytes” and “sound-bytes” of targeted information.
Written by Dr. Jeanne S. M. Willette, a published scholar who has researched and consolidated both well-respected classical sources and vetted the latest research, this site creates a middle ground between arcane scholarly jargon and informed discourse and presents a detailed account of Modern, Postmodern, Philosophy and Theory that is accessible to all readers interested in the history of the modern and contemporary periods.
Enjoy and Learn
This site is responsive to computers, cell phones and tablets and will resize for your reading convenience.
Art History Unstuffed is listed on the ACI Scholarly Blog Index.
Recent Posts
Current chapters of the topic of the season, part of an ongoing research project.
America and New Vision Photography
Placing American photographers within New Vision photography reveals the difference in the cultures of, for example, the artists in Moscow, the photographers in Germany at the Bauhaus in Dessau, and Old Guard and their followers in New York and those in the f/64 group...
August Sander: New Vision as Taxonomy
In his own way August Sander, also used the close-up in the sense that, like Blossfeldt, he too put his subjects under a microscope of scrutiny. The objects of Sander’s relentlessly gaze were human beings currently living in Weimar Germany subjected to taxonomical...
Albert Renger-Patzsch: New Objectivity
The term Neue Sachlichkeit was introduced in 1925 an exhibition of realist painting in Mannheim in 1925. Realist should not be confused with realistic and the artists had various styles and various approaches in examining life in the Weimar Republic. The art historian...
About the Author
Art historian and art critic, Dr. Jeanne S. M. Willette lives and works in Los Angeles. An art historian at Otis College of Art and Design, the widely published author covers the local art scene and is the publisher of the website Art History Unstuffed.
With an international audience, this website and its accompanying podcasts provide the 21st version of learning about art, history, philosophy, and theory.
How To Use This Site
Welcome to Art History Unstuffed, and to education in the twenty-first century
For Students
In contrast to the traditional text books, Art History Unstuffed exists on online where there is infinite space. The site can therefore go into depth and provides a fuller discussion of topics in art and theory.
For Teachers
Designed as an addition to classroom instruction, Art History Unstuffed is not a course but an extension of topics found in a survey art history class.
For Artists
Professional artist and students in studio art courses can find fast, easy access to information about famous historical artists.
For Museums
Art History Unstuffed can be a valuable resource in presenting information on modern and contemporary art for docent programs, which concentrate on training the teachers on the collections in your museum.
Podcast
Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title: Art History Unstuffed: The Podcasts. Each episode discusses a single topic at greater length than the written posts, which are about 2500 words each. Each podcast ranges from 15 to 20 minutes and is part of a series that treats an artist or a topic over an hour of listening. The episodes are, therefore, discussions at a higher level and are geared more to graduate students and to colleagues than to the beginning student.
Episode 61: Pablo Picasso and Guernica – The Creation
Pablo Picasso, Part Three
Much has been written about Picasso’s masterwork, Guernica, and most of the art historical accounts focus on the iconography and the style of the mural. This podcast examines the meaning of the mural within the cultural context of the Spanish Civil War. The small town of Guernica was the testing ground for aerial bombardment of a civilian population. Faced with an unprecedented assault on humanity, Pablo Picasso was forced to give up the safety of his easel painting and was driven by the tragedy to confront the toll of “total war.”
Podcast: Play in new window | Download
Episode 60: Pablo Picasso and the Women
Pablo Picasso, Part Two
Few artists were as renowned for their appetites for women as Pablo Picasso. The paintings of his middle years were veritable diaries of conquest. This podcast presents the women in Picasso’s life – Olga, Marie-Thérèse and Dora Maar – and their impact on his art. Each woman had different personalities and Picasso developed different styles for his wife and for each of his mistresses. It could be argued that his relationships with these women revived his waning art and stimulated his middle age endeavors.
Podcast: Play in new window | Download
Episode 59: Pablo Picasso and the Making of the Art Market
Pablo Picasso, Part One
Although we accept Picasso as one of the great artists of the twentieth century, he was not born a famous artist, he was “made.” This podcast discusses the role of the Great War and the creation of the post-war market in buying and selling avant-garde art. In order to be successful, Picasso had to be polished as an artist and Cubism had to be tamed as an art market suitable for collectors.
Podcast: Play in new window | Download
Videos
The complete Art History Timeline – this twenty-seven episode series of five minute videos span Western art history, from the Caves to Romanticism. Produced with the assistance of Otis College of Art and Design, these can be used by students and teachers as introductory, supplementary or review material.
Shop
Show off your smarts. Art history unstuffed merchandise makes great gifts for you and your colleagues.
The Writing of Cubism:
The Construction of a Discourse, 1910-1914
$20.00
New Artwriting:
Creating a Culture of Cyber Criticism
$10.00
Falling Through Postmodernism.
Volume One: Blindness (Volume 1)
$30.00
Forthcoming Books
To continue to the circulation of her contributions to Heathwood Press, Dr. Willette has assembled the articles, published and not yet published, into a new book on the avant-garde. This new book will include other articles available on Academia.edu and Heathwood Press. This most recent series on the historic avant-garde was being written in response to the centennial of the Great War. After a remarkable span of five decades, the avant-garde was ended by this war in Europe. The war exiled and killed the artists, ended art movements, and scattered avant-garde art, now left to the mercies of totalitarian regimes. Now that a century has passed it is time to re-examine the avant-garde and re-write its details, reexamine the art historical assumptions, which constructed the idea of provocative art. This forthcoming book also seeks to relocate forgotten art, left behind in the rush towards the future.
Dr. Willette is currently completing an entirely new kind of book on design, a book that is multi-modal. Offering multiple modes of output, this book offers the readers several ways of receiving information, slide shows, podcasts, texts and images. The interactive book, Design and the Avant-Garde, 1920-1940, will be divided into several volumes. Volume One will focus on the interconnections between art and design at the fine-de-siècle period, leading up to the creation of “modern” design.
“Painting is self-discovery. Every good artist paints what he is.”
— Jackson Pollock