“ Art is not what you see, but what you make others see”
The Writing of Cubism posits that when the art critical writings on Cubism are re-read within their original intellectual and political context, it becomes clear that the historical coincidence of the conception of Cubism on the eve of the Great War had an impact upon the verbal configuration of this new movement that was equal to, if not outweighing, the stylistic innovations and artistic experiments of the artists.
This book examines the possibilities of theorizing the Web, takes up current debates on digital discourse, and presents the work of the leading scholars of the Internet working in the current field of content production in Cyberspace.
After Postmodernism, it is now time to return to an abandoned territory in search of our own blindness. What did we not see during the age of theorizing, to what were we blind? In three substantial case studies this volume, the first of three books on Postmodernism, the author closely examines some of the remains of a lost era.
Dr. Jeanne S. M. Willette – 3/12/19
Dr. Jeanne Willette unfortunately passed away in early 2019. She supported thousands of students in their exploration of art history during her career and was a valued colleague. This site, Art History Unstuffed, was one of her major contributions to those studying this field. Without Dr. Willette this site is not being updated with new content. While her web master, with support from her two sons, continues to maintain the site for the time being, a new generation of Art Historians is needed to carry the site into the future. If you are interested in participating or have other suggestions for this site, please click here to leave a note.
Pablo Picasso, Part Three
Much has been written about Picasso’s masterwork, Guernica, and most of the art historical accounts focus on the iconography and the style of the mural. This podcast examines the meaning of the mural within the cultural context of the Spanish Civil War. The small town of Guernica was the testing ground for aerial bombardment of a civilian population. Faced with an unprecedented assault on humanity, Pablo Picasso was forced to give up the safety of his easel painting and was driven by the tragedy to confront the toll of “total war.”
Pablo Picasso, Part Two
Few artists were as renowned for their appetites for women as Pablo Picasso. The paintings of his middle years were veritable diaries of conquest. This podcast presents the women in Picasso’s life – Olga, Marie-Thérèse and Dora Maar – and their impact on his art. Each woman had different personalities and Picasso developed different styles for his wife and for each of his mistresses. It could be argued that his relationships with these women revived his waning art and stimulated his middle age endeavors.
Pablo Picasso, Part One
Although we accept Picasso as one of the great artists of the twentieth century, he was not born a famous artist, he was “made.” This podcast discusses the role of the Great War and the creation of the post-war market in buying and selling avant-garde art. In order to be successful, Picasso had to be polished as an artist and Cubism had to be tamed as an art market suitable for collectors.