Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title Art History Unstuffed: The Podcasts.
This twenty-seven episode series of five minute videos span Western art history, from the Caves to Romanticism. Produced for and with the assistance of Otis College of Art and Design, these can be used by students and teachers as introductory, supplementary or review material. Each video is written,narrated and produced by Dr. Jeanne S. M. Willette, reinforced with written text and richly illustrated with many images.
“ Art is not what you see, but what you make others see”
The Construction of a Discourse, 1910-1914
The Writing of Cubism posits that when the art critical writings on Cubism are re-read within their original intellectual and political context, it becomes clear that the historical coincidence of the conception of Cubism on the eve of the Great War had an impact upon the verbal configuration of this new movement that was equal to, if not outweighing, the stylistic innovations and artistic experiments of the artists.
Creating a Culture of Cyber Criticism
This book examines the possibilities of theorizing the Web, takes up current debates on digital discourse, and presents the work of the leading scholars of the Internet working in the current field of content production in Cyberspace.
Volume One: Blindness (Volume 1)
After Postmodernism, it is now time to return to an abandoned territory in search of our own blindness. What did we not see during the age of theorizing, to what were we blind? In three substantial case studies this volume, the first of three books on Postmodernism, the author closely examines some of the remains of a lost era.
With an international audience, this website and its accompanying podcasts provide the 21st version of learning about art, history, philosophy, and theory.
Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title: Art History Unstuffed: The Podcasts. Each episode discusses a single topic at greater length than the written posts, which are about 2500 words each. Each podcast ranges from 15 to 20 minutes and is part of a series that treats an artist or a topic over an hour of listening. The episodes are, therefore, discussions at a higher level and are geared more to graduate students and to colleagues than to the beginning student.
NEW DEAL ART AND ARTISTS
In the decades before local community museums were common, New Deal art was, for many communities, the only access to art. Although often disparaged as being too “folksy,” New Deal murals were only one part of an extensive government program which not only supported artists but also professionalized these groups. This podcast makes the case that New Deal art was the part of a process of “readiness” of American artists to challenge the hegemony of European Modernist art.
WHY DID THE ARTISTS “SELL OUT?”
Long sequestered and rarely viewed, recent art historical writings have begun to examine the art of Fascism. This series of podcasts, in four parts, attempts to answer a series of questions: what were the goals of Nazi art, who were the Nazi artists – the painters and sculptors – and what was the impact of Nazi art? This podcast discusses the ways in which artists were co-opted by the Nazis, the reasons why artists collaborated with fascism, and the rewards of working for Hitler. This concluding episode asks if it is possible to make “art” if the works were dedicated to the goals of pure evil?
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“Painting is self-discovery. Every good artist paints what he is.”
— Jackson Pollock