Art History Unstuffed
On line. At your convenience. In your own time. On your own terms.
For too long art history has been held hostage by scholars speaking to scholars and not to people. The purpose of this site is to educate and to inform and to do so with respect to the intelligence of the readers. Designed as a site for serious students of art history in need of solid substantive material, Art History Unstuffed is written for Twenty-First-century learners who prefer reading “text-bytes” and “sound-bytes” of targeted information.
Written by Dr. Jeanne S. M. Willette, a published scholar who has researched and consolidated both well-respected classical sources and vetted the latest research, this site creates a middle ground between arcane scholarly jargon and informed discourse and presents a detailed account of Modern, Postmodern, Philosophy and Theory that is accessible to all readers interested in the history of the modern and contemporary periods.
Enjoy and Learn
This site is responsive to computers, cell phones and tablets and will resize for your reading convenience.
Art History Unstuffed is listed on the ACI Scholarly Blog Index.
Recent Posts
Current chapters of the topic of the season, part of an ongoing research project.
Chanel as a Fashion Paradigm
Coco Chanel, like her customers, invented herself, remade herself on her own terms and used striking fashion designs to bring about this transformation. A chic outfit can disguise many character flaws and one of the remarkable aspects of Chanel was what she had to...
Chanel Arrives, Part Two
It was in the 1920s that Coco Chanel perfected her distinctive line for her timeless and simple clothes for women—long and lean, like Paul Poiret’s silhouettes to be sure, but her outlines were scrupulously hard-edged, offset with ropes of peals and studded with...
Chanel Arrives, Part One
How does Fashion become modern, take that step away from the past and stride confidently into the future? As theorist and philosopher, Roland Barthes noted, fashion changes when events shift so decisively in the present that there is no going back to the past. The...
About the Author
Art historian and art critic, Dr. Jeanne S. M. Willette lives and works in Los Angeles. An art historian at Otis College of Art and Design, the widely published author covers the local art scene and is the publisher of the website Art History Unstuffed.
With an international audience, this website and its accompanying podcasts provide the 21st version of learning about art, history, philosophy, and theory.
How To Use This Site
Welcome to Art History Unstuffed, and to education in the twenty-first century
For Students
In contrast to the traditional text books, Art History Unstuffed exists on online where there is infinite space. The site can therefore go into depth and provides a fuller discussion of topics in art and theory.
For Teachers
Designed as an addition to classroom instruction, Art History Unstuffed is not a course but an extension of topics found in a survey art history class.
For Artists
Professional artist and students in studio art courses can find fast, easy access to information about famous historical artists.
For Museums
Art History Unstuffed can be a valuable resource in presenting information on modern and contemporary art for docent programs, which concentrate on training the teachers on the collections in your museum.
Podcast
Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title: Art History Unstuffed: The Podcasts. Each episode discusses a single topic at greater length than the written posts, which are about 2500 words each. Each podcast ranges from 15 to 20 minutes and is part of a series that treats an artist or a topic over an hour of listening. The episodes are, therefore, discussions at a higher level and are geared more to graduate students and to colleagues than to the beginning student.
Episode 46: Painting 13 – Postmodernism and the Other
Postmodernism, Multiculturalism and Globalism
Postmodern art is the first art to be – not global – but international. But the concept of a global or transnational art was proceeded by an acknowledgement of The Other through Multiculturalism. This podcast examines the ideas of colonialism, imperialism and post-colonial theory as manifested through art of the Postmodern period.
Podcast: Play in new window | Download
Episode 45: Painting 12 – The Impact of Art by Women
New Voices in Painting
Although the sixties is usually thought of as the decade of Civil Rights, the final expression of equality was the Women’s Movement of the seventies. The art world, which had attempted to ignore the prevailing political events was suddenly confronted with a large and unhappy constituency, artists who had been excluded from the art world on the basis of gender and color. Feminist art and art by women and the art of people of color challenged the exclusionary territory of painting, which had been an “all boys’ club” for decades. The result of the influx of new ideas and new points of view would be more open field for new possibilities in painting.
Podcast: Play in new window | Download
Episode 44: Painting 11 – Photo-Realism and Conceptual Art
Painting in the Seventies
The 1970s presided over the widely publicized “end of painting.” What the phrase really means is the Modernist painting came to an end. One one hand, the object itself disappeared, swallowed up into Conceptual Art. On the other hand, a movement in painting, still marginalized, Photo-Realism revived painting in all its technical glory and added a touch of the taboo — photography. Following the ideas of Marcel Duchamp, Conceptual Art can be seen as either the ultimate expression of the purity of Modernism or the extinction of the “objecthood,” but it is important to understand that Photo-Realism is an early expression of “conceptual painting.”
Podcast: Play in new window | Download
Videos
The complete Art History Timeline – this twenty-seven episode series of five minute videos span Western art history, from the Caves to Romanticism. Produced with the assistance of Otis College of Art and Design, these can be used by students and teachers as introductory, supplementary or review material.
Shop
Show off your smarts. Art history unstuffed merchandise makes great gifts for you and your colleagues.
The Writing of Cubism:
The Construction of a Discourse, 1910-1914
$20.00
New Artwriting:
Creating a Culture of Cyber Criticism
$10.00
Falling Through Postmodernism.
Volume One: Blindness (Volume 1)
$30.00
Forthcoming Books
To continue to the circulation of her contributions to Heathwood Press, Dr. Willette has assembled the articles, published and not yet published, into a new book on the avant-garde. This new book will include other articles available on Academia.edu and Heathwood Press. This most recent series on the historic avant-garde was being written in response to the centennial of the Great War. After a remarkable span of five decades, the avant-garde was ended by this war in Europe. The war exiled and killed the artists, ended art movements, and scattered avant-garde art, now left to the mercies of totalitarian regimes. Now that a century has passed it is time to re-examine the avant-garde and re-write its details, reexamine the art historical assumptions, which constructed the idea of provocative art. This forthcoming book also seeks to relocate forgotten art, left behind in the rush towards the future.
Dr. Willette is currently completing an entirely new kind of book on design, a book that is multi-modal. Offering multiple modes of output, this book offers the readers several ways of receiving information, slide shows, podcasts, texts and images. The interactive book, Design and the Avant-Garde, 1920-1940, will be divided into several volumes. Volume One will focus on the interconnections between art and design at the fine-de-siècle period, leading up to the creation of “modern” design.
“Painting is self-discovery. Every good artist paints what he is.”
— Jackson Pollock