PHOTOGRAPHY and MANIPULATION The decades of the 1960s and 1970s are notable for a return of manipulated photography, that is, photography that is not “straight” but changed or manipulated by the artist for expressive reasons. One of the debates surrounding...
PHOTOGRAPHY AFTER ROBERT FRANK The new generation of photographers, led by Robert Frank, did not come into their own until Edward Steichen resigned from the Museum of Modern Art, the only art museum at that time that seriously collected photography. A disciple of...
WHAT ROBERT FRANK SAW Following in the footsteps of Walker Evans who, in the late 1930’s had produced The American Photographs, Robert Frank found the humble and forgotten America. But where Evans, the sophisticated and urbane New Englander, had located...
ROBERT FRANK AND THE NEW PHOTOGRAPHIC VOCABULARY After Robert Frank, contemporary photography was never the same. In the middle of the twentieth century, photography was redefined by one book, The Americans, published in 1958 in France as Les Américains, and in...
Georgia O’Keeffe, Part One The career of Georgia O’Keeffe was a paradox: on one hand, she was dependent upon the patronage of her husband, photographer and art dealer, Alfred Stieglitz; on the other hand, she always had an independent vision. The podcast,...
