The origins of Neoclassicism in art, architecture and interior décor was the excavation of long buried Roman cities, Pompeii and Herculaneum in the mid-eighteenth century. A popular correction of the late Baroque style and the ornamental Rococo style, Neoclassicism became an international style. As the name indicates, this “new” “classicism” was based upon the art of the early Roman empire. Classical art had long been available but what was notable about this particular iteration of classicism is the discovery of painting – murals on the walls – in the resort towns of Herculaneum and Pompeii. Authentic classical painting now joined authentic classical sculpture as an inspiration for an important shift in European academic styles.

For the second half of the eighteenth century, the Neoclassical reform of Baroque art brought a new seriousness to academic art and impacted architectural styles, particularly in England. Despite its antique sources, this style proved to be surprisingly versatile, suiting the needs of English aristocracy and American revolutionaries and French aristocracy and French revolutionaries. An imperial style from the past was appropriated for a variety of purposes from political messages to decorative needs.

If you have found this material useful, please give credit to Dr. Jeanne S. M. Willette and Art History Unstuffed.
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