Painting in the Seventies The 1970s presided over the widely publicized “end of painting.” What the phrase really means is the Modernist painting came to an end. One one hand, the object itself disappeared, swallowed up into Conceptual Art. On the other...
Neo-Dada and anti-Moderism It is one of the ironies of art history that at the very moment Abstract Expressionism began to gain traction in the art world, that a major challenger would emerge to steal the spotlight. Neo-Dada, somewhat indebted to Marcel Duchamp, was a...
Clement Greenberg and Modernist Aesthetics Clement Greenberg was a rare character in history: the right person in the right place at the right time, writing the right things to the right people. A New York intellectual and art critic, Greenberg was uniquely positioned...
Modernism in New York City Why and How did the impetus for Modernist painting move from Paris to New York? This podcast traces the historical and artistic reasons that resulted in New York becoming the center of avant-garde painting the Fifties. The presence of the...
The Painters of Modern Life Although the Pre-Raphaelite artists initiated the artistic interest in contemporary urban life and the problems of modern people, the Parisian artists are given credit for learning how to express modernité in formal terms. The French...