How Structuralism Became “Post”

THE STRUCTURE OF STRUCTURALISM Structuralism Every society has its songs, its dances, the stories it tells, the myths it makes, the histories it writes. Every culture has ways of loving and mating, way of forming families and raising children. Each tribe has its...

Jean-François Lyotard and the Figural, Part Two

Discours/Figure (1971) Part Two: Veduta In 1971, in the wake of Jacques Derrida’s 1966 presentation Structure, Sign, and Play in the Discourse of the Human Sciences at Johns Hopkins University, the Deconstruction of Structuralism was well under way....

Jean-François Lyotard and the Figural, Part One

Discours/Figure (1971) Part One Perhaps because Jean-François Lyotard was a prolific and sometimes too hasty writer (as he termed himself), the reader is a witness to the development of the philosopher over time. Discours, figure was translated into English decades...

Jean-François Lyotard on the Sublime, Part Three

Lessons on the Analytic of the Sublime Part Three In Ticket to a New Decor, Jean-François Lyotard wrote of “anamesis,” a key concept in his account of the sublime. In the Platonic sense, anamesis is a form of pre-conscious collective memory that must be...

Jean-François Lyotard and the Sublime, Part Two

Lessons on the Analytic of the Sublime (1991) Part Two  The definition of aesthetics has always been difficult to grasp and perhaps what is more interesting in attempts to define aesthetics is the fact that in the middle of the eighteenth century, philosophers deemed...

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