EMMANUEL KANT (1724-1804) Kant, the Artist, and Artistic Freedom The modern artist of the nineteenth century faced an aesthetic landscape that was quite different compared to that of the previous century. The definition of “art” in the eighteenth century was that,...
CONSTRUCTING AN IDEA Art for Art’s Sake What was the purpose of art in the modern period? In the minds of late eighteenth century and early nineteenth century philosophers, the role of art could be nothing less that to create beauty. The beautiful, for Emmanuel...
KANT’S SYSTEM of JUDGMENT Beauty, Taste, and Indifference In the eighteenth century, art and beauty were considered synonymous. During Kant’s time, the criteria for the “beautiful” was a simple—and specific one—based upon and...
KANT AND AESTHETICS Critique of Judgment (1790) While Kant was writing the Critique of Judgment in 1790, the answer of the role of the artist in society was increasingly unclear, and the social and cultural situation was increasingly unstable. The artist was looking...
Kant and Aesthetics The Creation of Artistic Freedom and Art-for-Art’s Sake France became the titular home of the Enlightenment because of the necessity of opposing the decadence of the ancien régime, but it must be recalled that there were numerous important...
ROMANTICISM AS HISTORY IN FRANCE Neoclassicism was a historicist revival of an ancient style that acquired political and social implications during a time of turbulent change. Calm and serene, Neoclassicism lent itself well to noble subject matter that depicted the...