THE STORY OF ART UNDER THE NEW DEAL Long ignored and often neglected, the art made during the New Deal was far more impactful for American art than is usually realized. For the first time, the American government supported artists and art through a number of programs...
WHY DID THE ARTISTS “SELL OUT?” Long sequestered and rarely viewed, recent art historical writings have begun to examine the art of Fascism. This series of podcasts, in four parts, attempts to answer a series of questions: what were the goals of Nazi art,...
NAZI SCULPTURE Long sequestered and rarely viewed, recent art historical writings have begun to examine the art of Fascism. This series of podcasts, in four parts, attempts to answer a series of questions: what were the goals of Nazi art, who were the Nazi artists –...
JASPER JOHNS (1930 –) When Jasper Johns left his native South Carolina for the mean streets of New York, he claimed to have arrived at his Pearl Street Studio knowing nothing about art history. In fact, he later destroyed some of his early work when he realized...
THE MODERNISM OF MODERNIST PAINTING, 1960/1 Clement Greenberg’s “Modernist Painting,” originally given as a radio broadcast in 1961 for the Voice of America’s “Forum Lectures,” was printed in 1961 in the Arts Yearbook 4 of the same year, reprinted in 1965, ’66,...
NEO-DADA—1950-1960 Neo or new Dada was named after Marcel Duchamp who, in the fifties, began to emerge from the underground to the surface of cutting edged art in New York. Neo-Dada did not come neatly “after” the leading movement, Abstract Expressionism,...
