THE WRITING OF ENGLISH ROMANTICISM Part One Like Neo-Classicism, Romanticism was an international movement, but, unlike the earlier movement, Romanticism differed from country to country. In England, Romanticism established an aesthetic that was reflective of national...
DELACROIX THE CONSERVATIVE Part Two The art of Eugène Delacroix was uniquely suited to his time. In an era of imperialism and colonialism through conquest, his exciting art captured the violence of a turbulent age. Like all artists of the Romantic era, Delacroix was...
DELACROIX THE ROMANTIC Part One A member of the famous Bohemian crowd of French avant-garde art, Delacroix was considered the rebellious leader of French Romanticism. Like all artists of his generation, he had missed out on Napoléonic glory but found excitement in the...
INGRES, THE NUDES, AND CONSPICUOUS CONSUMPTION Part Two By the middle of his artistic life, Ingres had reached the pinnacle of his career as the ruler of the Academy in France. Although the artist claimed to uphold the principles of classical art, his approach to the...
THE MODERNISM OF INGRES Part One Often assumed to be the bastion of conservatism in French art, Ingres was actually an astute observer of his own time and was, therefore, thoroughly modern. Like Gros and Girodet, Ingres had to find his own way past both his teacher,...
THE ORIGINS OF THE AVANT-GARDE ROMANTICISM Art and the Avant-Garde The term “avant-garde” is a military one, borrowed from the French phrase, denoting the advance body of the army. This small group of soldiers goes out in advance of the main group to...
