JASPER JOHNS (1930 –) When Jasper Johns left his native South Carolina for the mean streets of New York, he claimed to have arrived at his Pearl Street Studio knowing nothing about art history. In fact, he later destroyed some of his early work when he realized...
THE MODERNISM OF MODERNIST PAINTING, 1960/1 Clement Greenberg’s “Modernist Painting,” originally given as a radio broadcast in 1961 for the Voice of America’s “Forum Lectures,” was printed in 1961 in the Arts Yearbook 4 of the same year, reprinted in 1965, ’66,...
NEO-DADA—1950-1960 Neo or new Dada was named after Marcel Duchamp who, in the fifties, began to emerge from the underground to the surface of cutting edged art in New York. Neo-Dada did not come neatly “after” the leading movement, Abstract Expressionism,...
FROM MODERNISM TO POST-MODERNISM POST-WAR ART IN AMERICA After the Second World War, the art world was characterized by “triumphalism” in New York and a feeling of having won, not just a military war but also a cultural war. The French and their School of Paris had...
THE PROPAGANDA OF NAZI PAINTING Long sequestered and rarely viewed, recent art historical writings have begun to examine the art of Fascism. This series of podcasts, in four parts, attempts to answer a series of questions: what were the goals of Nazi art, who were the...
POST-WAR ART IN LOS ANGELES AND SAN FRANCISCO At first glance, California would seem to be an exceedingly unpromising place for major art to emerge in the second half of the Twentieth Century. A new state with a throwaway culture without a history, California had...
