JEAN-LÉON GÉRÔME: History Painter Part Two The Artist and Gender In painting after painting, Jean-Léon Gérôme (1824–1904) clearly demonstrated his discomfort with women. Before his very profitable marriage to the daughter of Europe’s biggest art dealer, Gérôme lived...
JEAN-LÉON GÉRÔME: History Painter Part One Jean-Léon Gérôme (1824 – 1904) was on the wrong side of history. Many people have been on the wrong side of history, and, like the segregationist Senator, Strom Thurmond, they deserve to stay there. However, art history is...
IMPRESSIONISM, FASHION, AND MODERNITY Musée d’Orsay, Paris, The Metropolitan Museum of Art, New York, The Art Institute of Chicago September 2012-September 2013 Part Three: Fashion and Psychology Fashion is the masquerade that tells the truth–for the first time...
IMPRESSIONISM, FASHION, AND MODERNITY Musée d’Orsay, Paris, The Metropolitan Museum of Art, New York, The Art Institute of Chicago September 2012-September 2013 Part One: Fashion as the Trope of Modernité Imagine if Impressionism existed today, not as a style but as...
MANET AND MODERN LIFE Édouard Manet was not the artist that the Second Empire would have selected to be its chronicler, but, in the end, it was Manet’s impressions of France’s last monarchy that would make an indelible mark on the public memory. Napoléon III followed...