ÉDOUARD MANET AND “THE (FEMALE) NUDE” Unlike his predecessor, Gustave Courbet who carefully directed the critical discourse around his art, Édouard Manet was far more taciturn. When he spoke, it was in fragments, causal remarks, rarely buttressed by explanations...
Art-for-Art’s-Sake in Context In the Salon of 1846, the poet and art critic, Charles Baudelaire argued that average people (in modern clothes) were as heroic as any Roman heroes of ancient times. In the waning days of the July Monarchy, the Greco-Roman legends...
AVANT-GARDE REALISM IN FRANCE: GUSTAVE COURBET In 1845, The art critic, Théophile Thoré (who “discovered” the Dutch artist, Jan Vermeer) complained that French art was “…without system, without direction, and abandoned to individual fantasy.”...
BAUDELAIRE AND MODERNITY Every age needs its observer and every era requires an interpreter. To elevate the culture above mere description, that individual has to be an odd cross between a poet and a reporter. Charles Baudelaire (1821-1867) was a renegade poet, a...
REALISM IN EUROPE Part Two Because art history tends to focus towards all things French, French “Realism” is often considered the exemplar of European Realism. Given that the British did not experience a violent Revolution in 1848, it is certainly correct...