Dr. Jeanne S. M. Willette – 3/12/19
Dr. Jeanne Willette unfortunately passed away in early 2019. She supported thousands of students in their exploration of art history during her career and was a valued colleague. This site, Art History Unstuffed, was one of her major contributions to those studying this field. Without Dr. Willette this site is not being updated with new content. While her web master, with support from her two sons, continues to maintain the site for the time being, a new generation of Art Historians is needed to carry the site into the future. If you are interested in participating or have other suggestions for this site, please click here to leave a note.
On line. At your convenience. In your own time. On your own terms.
For too long art history has been held hostage by scholars speaking to scholars and not to people. The purpose of this site is to educate and to inform and to do so with respect to the intelligence of the readers. Designed as a site for serious students of art history in need of solid substantive material, Art History Unstuffed is written for Twenty-First-century learners who prefer reading “text-bytes” and “sound-bytes” of targeted information.
Written by Dr. Jeanne S. M. Willette, a published scholar who has researched and consolidated both well-respected classical sources and vetted the latest research, this site creates a middle ground between arcane scholarly jargon and informed discourse and presents a detailed account of Modern, Postmodern, Philosophy and Theory that is accessible to all readers interested in the history of the modern and contemporary periods.
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Art History Unstuffed is listed on the ACI Scholarly Blog Index.
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Episode 40: Painting 7 – Clement Greenberg
Clement Greenberg and Modernist Aesthetics
Clement Greenberg was a rare character in history: the right person in the right place at the right time, writing the right things to the right people. A New York intellectual and art critic, Greenberg was uniquely positioned to be “present at the creation” of The New York School during the 1940s. Greenberg’s art critical writings made the case for the importance of American art in the history of Modernism. Perhaps his most important contribution was to introduce the Modernist aesthetic or definition of art to his American audience. His “formalist” ideas would dominate the New York Art world for decades to come.
Episode 39: Painting 6 – Art In New York
Modernism in New York City
Why and How did the impetus for Modernist painting move from Paris to New York? This podcast traces the historical and artistic reasons that resulted in New York becoming the center of avant-garde painting the Fifties. The presence of the European exiles in the city, the availability of innovative art in the Museum of Modern Art, and the sense that European modernism was exhausted combined to give rise to a new school of art called The New York School or the Abstract Expressionism.
Episode 38: Painting 5 – Art Between the Wars
Art Between the Wars
Although art history usually passes over this inter-war period quickly, pausing only for Dada and Surrealism, these decades were significant for the continued development of painting. After decades of avant-garde art, Europeans began to consolidate the innovations and inventions of the new century. While the art scene in Paris returned to conservative market-based art, the experimental mind-set shifted to Berlin, the new capital of art between the wars.
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The Construction of a Discourse, 1910-1914
Creating a Culture of Cyber Criticism
Volume One: Blindness (Volume 1)
Dr. Willette is currently completing an entirely new kind of book on design, a book that is multi-modal. Offering multiple modes of output, this book offers the readers several ways of receiving information, slide shows, podcasts, texts and images. The interactive book, Design and the Avant-Garde, 1920-1940, will be divided into several volumes. Volume One will focus on the interconnections between art and design at the fine-de-siècle period, leading up to the creation of “modern” design.