Romanticism in France was an artistic movement that was born of the excitement of Napoleonic art and its depictions of the glory and horrors of total war. But after the Emperor was deposed, the new generation of artists could find “liberty” only in the refuge of art-for-art’s-sake and freedom existed only in bohemia. It was in the quarters of unknown artists that the avant-garde was born, but the most successful Romantic artists in France were, in fact members of the establishment. Although Eugène Delacroix and Jean-Auguste-Dominique Ingres were often considered as Romantic opponents, they both were chroniclers of their times, depicting an image of an age caught between past glories and the future of industrialism.

Also listen to: “The French Romantics: Gros and Girodet, Part One” and “The French Romantics: Gros and Girodet, Part Two” and “French Romanticism, Ingres, Part One,” and “French Romanticism, Ingres, Part Two” and “French Romanticism, Delacroix, Part One” and “French Romanticism, Delacroix, Part Two”

Also read: “French Romanticism: The Historical Context” and “The French Academy: Painting”  and “French Romanticism: Subject Matter and the Artist” and “French Romanticism and the Avant-Garde”

If you have found this material useful, please give credit to Dr. Jeanne S. M. Willette and Art History Unstuffed.
Thank you.

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