Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title Art History Unstuffed: The Podcasts.
This twenty-seven episode series of five minute videos span Western art history, from the Caves to Romanticism. Produced for and with the assistance of Otis College of Art and Design, these can be used by students and teachers as introductory, supplementary or review material. Each video is written,narrated and produced by Dr. Jeanne S. M. Willette, reinforced with written text and richly illustrated with many images.
“ Art is not what you see, but what you make others see”
The Construction of a Discourse, 1910-1914
The Writing of Cubism posits that when the art critical writings on Cubism are re-read within their original intellectual and political context, it becomes clear that the historical coincidence of the conception of Cubism on the eve of the Great War had an impact upon the verbal configuration of this new movement that was equal to, if not outweighing, the stylistic innovations and artistic experiments of the artists.
Creating a Culture of Cyber Criticism
This book examines the possibilities of theorizing the Web, takes up current debates on digital discourse, and presents the work of the leading scholars of the Internet working in the current field of content production in Cyberspace.
Volume One: Blindness (Volume 1)
After Postmodernism, it is now time to return to an abandoned territory in search of our own blindness. What did we not see during the age of theorizing, to what were we blind? In three substantial case studies this volume, the first of three books on Postmodernism, the author closely examines some of the remains of a lost era.
With an international audience, this website and its accompanying podcasts provide the 21st version of learning about art, history, philosophy, and theory.
Seeing to present art history to a variety of learners, Art History Unstuffed presents the Soundbytes in Modern Art podcast. These episodes are available as single units or can be found as a virtual book on iBooks, free of charge under the title: Art History Unstuffed: The Podcasts. Each episode discusses a single topic at greater length than the written posts, which are about 2500 words each. Each podcast ranges from 15 to 20 minutes and is part of a series that treats an artist or a topic over an hour of listening. The episodes are, therefore, discussions at a higher level and are geared more to graduate students and to colleagues than to the beginning student.
LOOKING INTO THE GLASS
Carefully and obsessively fabricated by Marcel Duchamp, The Bride Stripped Bare by her Bachelors, Even a.k.a, The Large Glass was a summation of decades of re-thinking the definition of “art” and the role of the “artist.” Still an underground artist, Duchamp declared himself finished with art when the Large Glass was broken and carefully repaired. Discussing the role of male sexuality in this “scene” of sexual frustration, this podcast recounts the making and the meaning of this seminal work.
Marcel Duchamp, Part One
Marcel Duchamp began his career as a painter and ended it as a maker of carefully crafted objects. Using a combination of intellectual, aesthetic, and psychological viewpoints, this podcast discusses Duchamp’s decision to “secede” from the Parisian art world as a counter rejection. In attempting to shield himself from art world politics, Duchamp created a new way to re-make “art” as a Readymade—a defiant gesture of indeterminacy.
POSTMODERN PAINTING AS BRICOLAGE
Postmodern painting can be characterized as a reaction against the “rule” of Modernist painting. Using the art of David Salle, Julian Schanbel, Carol Maria Mariani, MarkTansey and Eric Fischl, this podcast discusses the deliberate lack of originality in Postmodern art. Whether the artists were addressing the “language of painting,” (Salle) or nostalgically revisiting Expressionism (Schanbel) or refitting the past through “dead languages,” (Mariani and Tansey) or indulging in the “forbiddens” of personal biography and buried secrets, (Fischl) the resurgence of Postmodern painting was indeed the Return of the Repressed.
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“Painting is self-discovery. Every good artist paints what he is.”
— Jackson Pollock