Now I Have Become Death: Picturing the Bomb

PICTURING THE BOMB PHOTOGRAPHS FROM THE SECRET WORLD OF THE MANHATTAN PROJECT Pasadena City College Art Galllery October 5-Novemeber 12, 2011 One of the strangest confluences in art history was the painter, Georgia O’Keeffe, and the father of the atomic bomb, Robert...

Frederic Jameson and Postmodernity, Part One

FREDERIC JAMESON (1934-) Postmodernism, or the Cultural Logic of Late Capitalism (1984) Part One In 1992, Charles Jencks summed up his definition of the Postmodern in ”The Post-Modern Agenda” by saying the over the past ten years the debate had centered on whether the...

Jacques Derrida and Deconstruction

Deconstruction The Truth in Painting (1987) In 1905 Paul Cézanne wrote to the younger artist, Emile Bernard, “I owe you the truth in painting and I will tell it to you.” One can immediately imagine how Jacques Derrida (1930-2004) would have seized upon such a...

Jacques Derrida and the Center

“Force and  Signification” (1967) De-centering the Center It should never be presumed that Jacques Derrida (1930-2004) attempted to solve problems or to promote new solutions. His mission as a philosopher was quite different: Derrida was a Deconstructor or...

Jacques Derrida and “Différance”

Différance (1968) Différance and Deferral Jacques Derrida (1930-2004) was a prolific writer who had the disconcerting ability to use a thousand words when one or two would do. Différance is typical of his poetic excess and opens with I will speak, therefore, of a...

Jacques Derrida and Logos

NATURE AS CULTURE: DERRIDA’S TRACE The Problem with Origins Following his tour de force presentation of “Structure Sign and Play in the Discourse of the Human Sciences” in 1967, Jacques Derrida astonishingly published three books: De la...

The Metaphysics of Structuralism

DERRIDA AND THE DECONSTRUCTION OF THE STRUCTURE  Structure, Sign and Play in the Discourses of Human Sciences (1966) Jacques Derrida’s (1921-2004) full frontal attack on the movement that had just ended the reign of Existentialism, was not only on the...

Jacques Derrida and Post-Structuralism

JACQUES DERRIDA (1921 – 2004) The Path to Post-Structualism Jacques Derrida was a notoriously difficult philosopher to comprehend, especially for Americans, who are baffled by his writing style and his purpose. Americans, being pragmatic, prefer ideas that can...

Claude Lévi-Strauss and Structuralism

CLAUDE LÉVI-STRAUSS (1908-2009) Structuralism and Anthropology Although it has long roots, stretching back to the beginning of the twentieth century, Structuralism found a home in philosophy and reigned as the leading movement from the beginning of the 1950s to the...

How Structuralism Became “Post”

THE STRUCTURE OF STRUCTURALISM Structuralism Every society has its songs, its dances, the stories it tells, the myths it makes, the histories it writes. Every culture has ways of loving and mating, way of forming families and raising children. Each tribe has its...

Jean-François Lyotard and the Figural, Part Two

Discours/Figure (1971) Part Two: Veduta In 1971, in the wake of Jacques Derrida’s 1966 presentation Structure, Sign, and Play in the Discourse of the Human Sciences at Johns Hopkins University, the Deconstruction of Structuralism was well under way....

Jean-François Lyotard and the Figural, Part One

Discours/Figure (1971) Part One Perhaps because Jean-François Lyotard was a prolific and sometimes too hasty writer (as he termed himself), the reader is a witness to the development of the philosopher over time. Discours, figure was translated into English decades...

Jean-François Lyotard on the Sublime, Part Three

Lessons on the Analytic of the Sublime Part Three In Ticket to a New Decor, Jean-François Lyotard wrote of “anamesis,” a key concept in his account of the sublime. In the Platonic sense, anamesis is a form of pre-conscious collective memory that must be...

Jean-François Lyotard and the Sublime, Part Two

Lessons on the Analytic of the Sublime (1991) Part Two  The definition of aesthetics has always been difficult to grasp and perhaps what is more interesting in attempts to define aesthetics is the fact that in the middle of the eighteenth century, philosophers deemed...

Jean-François Lyotard and the Sublime, Part One

Lessons on the Analytic of the Sublime (1991) Part One The way in which the mind of Jean-François Lyotard worked was slow and systematic and thorough. The notion of the potential injustice in language games appeared in The Postmodern Condition: A Report on...

Art and “Thick Description,” Part Two

ART AND MATERIAL CULTURE CLIFFORD GEERTZ and ART HISTORY Gathered together at the Warburg Library and impacted by the neo-Kantian revival in the beginning of the Twentieth Century, Aby Warburg and Ernst Cassirer created diachronic analyses of cultural symbols from the...

Art and “Thick Description,” Part One

ART AND MATERIAL CULTURE CLIFFORD GEERTZ and PHILOSOPHY  “Art, Clifford Geertz once remarked, “is notoriously hard to talk about.”  However, Clifford Geertz provided art history with a way to talk about art through material culture. A term familiar to anthropology,...

Postmodernism and the Meaning of Art

RE-DEFINING  ART AS TEXT in the POSTMODERN ERA Postmodernism promises endless creative play in contrast to Modernism, which, according to Roland Barthes (1916-1980), was a fraudulent attempt to find the universal in every solution. For Barthes, Structuralism, or the...

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